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Our newest bassoon transcriptions!
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Khachaturian's
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Music from the ballet
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"Spartacus"
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A monumental transcription for 5 bassoons, piano, and percussion;
presented in 2 parts with 11 movements ...1 hour of music!
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Lola Montez
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A great driving rock tune as sung by the Danish metal band Volbeat;
this transcription is faithful to the original
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Concerto for Bassoon, K. 191
by W. A. Mozart
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transcribed for bassoon quartet
A faithful-to-the-original transcription
of the most widely played concerto for bassoon
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You've Got a Friend
a classic Carole King ballad from the '70s
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YMCA
the ultimate Disco song as sung by The Village People
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Smoke on the Water
a driving rock song sung by Deep Purple
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Concerto for Bassoon
(1st movement)
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by Jan Anton Koželuh
transcribed for bassoon quartet
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Once Upon a Time in the West
the great title piece from the epic Sergio Leone film of the same name;
written by the Ennio Morricone
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Pick Up the Pieces
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Cut the Cake
two great 70s hits by the Scottish funk group
Average White Band
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2022 CATALOG OF PUBLICATIONS
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Unaccompanied Bassoon
Bach, J. S.: Partita in a minor, BWV 1013. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$19
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Bassoon Trio
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Anderson: Bassoonists' Holiday! (3 bassoons and piano). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $23
The wonderful Leroy Anderson work originally scored for 3 trumpets and piano.
This transcription is faithful to the original score and makes a great addition to any recital.
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As Time Goes By. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Bach, J. S.: Sinfonia No. 1 in C Major, BWV 787. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Ease on Down the Road (from the film "The Wiz"). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$19
Follow the Yellow Brick Road/We’re Off to See the Wizard (from the film "The Wizard of Oz"). . . . . . . . . . . . .$18
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Handel: “Bourée and Hornpipe” from The Water Music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$18
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I Am Calling You (from the film “Bagdad Cafe”). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$21
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Larionov: Kalinka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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This is the well-known and wonderful Russian folk song, full of energy. This transcription is based on the
famous Alexandrov Red Army Choir's interpretation. Makes an exciting closer to any recital.
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Lennon/McCartney: Yesterday. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
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Mozart: “2nd Movement” from Concerto in Bb, K. 191. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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Rainbow Connection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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Satie: Trois Gymnopédie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
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Smoke on the Water. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$22
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Unchained Melody. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$19
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YMCA (as sung by The Village People) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
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You've Got a Friend (as sung by Carole King). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $22
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Bassoon Quartet
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Albinoni: Adagio (with optional contrabass and organ). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
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Average White Band: Cut the Cake. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $26
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This is the great 70s hit by the Scottish funk group, Average White Band; this transcription is true to the original and
comes with an audio file that gives you a full rhythm section.
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Average White Band: Pick Up the Pieces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$26
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Another great 70s hit by the Scottish funk group, Average White Band; this transcription is true to the original and
comes with an audio file that gives you a full rhythm section.
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Ben (from the film "Ben"). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$18
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Bach, J. S.: “Badinerie” from Orchestral Suite No. 2 in b minor, BWV 1067. . . . . . . . . . . . . . . . . . . $19
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A "badinerie" is a short, lively dance from the Baroque era. Bach's badinerie is from his Orchestral Suite No. 2
in b minor and is his most well-known dance. It makes a great addition to any bassoon recital as a showpiece
for the bassoon quartet.
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Bach, J. S/Mahler.: “Air” from Orchestra Suite No. 3 in D Major, BWV 1068. . . . . . . . . . . . . . . . . . . $19
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Barber: “Adagio” from String Quartet in b minor, Op. 1I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $28
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Beethoven: "Introduction" and “An die Freude” from Symphony No. 9 in d minor, Op. 125. . . . . . . . . . . $21
Chaplin: Smile (from the film “Modern Times”) (film version). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
Chaplin: Smile (from the film “Modern Times”) (pop version). . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
Chopin: Prelude in e minor, Op. 28, no. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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DvoÅ™ák: Song to the Moon (from the opera "Rusalka") (in Gb Major and F Major). . . . . . . . . . . . . . . . . . . . . . $23
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DvoÅ™ák: “Largo” from Symphony No. 9 in e minor, Op. 95. . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Foster: My Old Kentucky Home. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Gounod: Funeral March of a Marionette (complete piece). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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Grainger: Shepherd’s Hey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$22
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Grieg: Holberg Suite, Op. 40 (complete suite) (with optional contrabassoon). . . . . . . . . . . . . . . . . . . . . . $39
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“Air” from Holberg Suite, Op. 40 (with optional contrabassoon). . . . . . . . . . . . . . . . . . . . . . $19
“Gavotte” from Holberg Suite, Op. 40 (with optional contrabassoon). . . . . . . . . . . . . . . . . . . $19
“Präludium” from Holberg Suite, Op. 40 (with optional contrabassoon) . . . . . . . . . . . . . . . .$19
"Rigaudon” from Holberg Suite, Op. 40 (with optional contrabassoon). . . . . . . . . . . . . . . . . . $19
“Sarabande” from Holberg Suite, Op. 40 (with optional contrabassoon). . . . . . . . . . . . . . . . . $19
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Grieg: Peer Gynt Suite No. 1, Op. 46 (complete suite). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $38
“Anitra's Dance” from Peer Gynt Suite No. 1, Op. 46. . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
“The Death of Åse” from Peer Gynt Suite No. 1, Op. 46. . . . . . . . . . . . . . . . . . . . . . . . . . $19
“In the Hall of the Mountain King” from Peer Gynt Suite No. 1, Op. 46. . . . . . . . . . . . . . . . . . $19
“Morgenstimmung” from Peer Gynt Suite No. 1, Op. 46. . . . . . . . . . . . . . . . . . . . . . . . . . $19
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Grieg: Våren ("The Last Spring"), Op. 34, no. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $22
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Handel: “Halleluia chorus” from Messiah. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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In the Summertime (as performed by Mungo Jerry). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24
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This transcription comes with an optional piano part to add the real sound to this wonderful 1970 tune. If you don't
have a pianist, this chart is sent with an audio file of the piano part (complete with motorcycle interlude!). With this
file, it is easy to cue entries for the bassoonists.
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Koželuh: Concerto for Bassoon, 1st movement (bsn. 1 takes the solo part). . . . . . . . . . . . . . . . . . . . . . $25
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Let's Twist Again! (as sung by Chubby Checker). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24
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Lola Montez (as performed by Volbeat). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25
The great driving rock tune will make a great addition to any bassoon recital!
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Morricone: Once Upon a Time in the West. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
(the title track to the great Sergio Leone film; delivered in two versions: the original D Major and C Major)
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Mozart: Concerto for Bassoon, K. 191. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$26
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This is a faithful-to-the-original transcription. Bassoon 1 takes the solo part while the 3 additional bassoons
accompany with the orchestral parts. Makes a great addition to any bassoon recital.
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A Nightingale Sang in Berkeley Square. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
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Poulenc: Suite Française. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $32
Satie: Trois Gymnopédie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $21
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Someone to Watch Over Me. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $22
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Sondheim: Send in the Clowns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $23
Strauss, Richard: Opening to “Also sprach Zarathustra” (with optional contrabassoon and organ). . . . . . . . . . $18
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Take Me Out to the Ballgame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Theme from "Bonanza". . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
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This is the original opening to the beloved TV series of the 1960s and 70s
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Wabash Cannonball. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
Wagon Wheels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18
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Bassoon Quintet
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Wooly Bully (bassoon 5 plays contrabassoon). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24
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Khachaturian: "Adagio" from the ballet Spartacus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $38
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Khachaturian: "Dance of the Phrygia"; "Parting Scene,"
from the ballet Spartacus. . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . $49
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Khachaturian: "Dance of the Pirates"; "Entrance of Spartacus/Quarrel/Treachery
of Harmonius"; "Variations of Aegina and Bacchanalia,"
from the ballet Spartacus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $42
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Khachaturian: "Entrance of the Merchants"; "Dance of a Roman Courtesan";
"General Dance"; "Dance of the Gaditanian Maidens"; "Victory of Spartacus,"
from the ballet Spartacus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$39
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Khachaturian: "Introduction and Dance of the Nymphs";
"Scene and Dance with Crotalums," from the ballet Spartacus. . . . . . . . . . . . . . . . . $38
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Khachaturian: Music from the ballet Spartacus, Part 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $89
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This monumental transcription is presented in 2 parts and consists of 11 movements in total...1 hour of music!
It is scored for 5 bassoons, original piano part, and original percussion parts. Part 1 includes Introduction and
Dance of the Nymphs, Scene and Dance with Crotalums, Adagio of Spartacus and Phrygia, Dance of the Pirates,
Entrance of Spartacus/Quarrel/Treachery, and Variation of Aegina and Bacchanalia.
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Khachaturian: Music from the ballet Spartacus, Part 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $79
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This monumental transcription is presented in 2 parts and consists of 11 movements in total...1 hour of music!
Part 2 includes Sword Dance of the Young Thracians, The Market/Dance of a Greek Slave, Dance of Phrygia/
Parting Scene, Merchant/Dance of a Roman Courtesan, and Dance of the Maidens/Victory of Spartacus.
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Khachaturian: "Sword Dance"; "The Market"; "Dance of a Greek Slave,"
from the ballet Spartacus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$39
































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Bassoon Ensemble
Saint-Saëns: Carnival of the Animals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$55
Larger movements are scored for 12 bassoons. Due to the intimate scoring in some movements and doublings
in others, this version can be performed with a smaller number of bassoonists: "Introduction and Royal March
of the Lion": as few as 6 players; "Hens and Roosters": as few as 5 players; "Tortoises": as few as 5 players;
"Elephant": as few as 6 players; "The Cuckoo in the Depths of the Woods": as few as 6 players; "Bassoonists":
as few as 4 players; "Fossils": as few as 6 players; "Kangaroos": as few as 6 players; "Aquarium": as few as
5 players; "People with Long Ears": as few as 4 players; "The Swan": as few as 5 players; "Finale": as few as
5 players.
“Aquarium” from Carnival of the Animals (5 bassoons). . . . . . . . . . . . . . . . . . . . . . . . . . . $24
“Elephant” from Carnival of the Animals (6 players). . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
“Finale” from Carnival of the Animals (5 players). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
“Fossils” from Carnival of the Animals (6 players). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20
“The Swan” from Carnival of the Animals (5 players). . . . . . . . . . . . . . . . . . . . . . . . . . . . $24
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Warlock: Capriol Suite (for 12 players). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $56




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Bassoon and Keyboard
Monteverdi: Pur Ti Miro (from the opera "The Coronation of Poppea") (2 bassoons and organ). . . . . . . . . . . . . . . .$21
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This is the final duet from Monteverdi’s last opera, The Coronation of Poppea. A beautiful melody
expertly divided between two voices. It is considered one of the greatest love duets
in operatic history. Makes a great addition to any bassoon recital.
It is sent in 2 different keys, the original C Major (top note = high C) and D Major (top note = high D)
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Purcell: Dido's Lament (from the opera "Dido and Aeneas") (bassoon and organ). . . . . . . . . . . . . . . . . . . . . . $21
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This is the final aria of Purcell's opera, Dido and Aeneas. A faithful transcription of an aria
that is unquestionably among the most beautiful and saddest arias in the operatic literature.
This transcription is sold in 2 versions: the original key of g minor and d minor.
Makes a great addition to any bassoon recital.
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Mother of Mine (from the film “Apostle”) (bassoon and piano). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
This is the hauntingly beautiful melody to the closing credits of this strange movie.
It would be a nice slow alternative piece on a recital.
It is sent in 2 different keys, the original c minor (top note = high D)
and Bb minor (top note = high C)
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Telson: I Am Calling You (from the film “Bagdad Cafe”) (bassoon and electric piano). . . . . . . . . . . . . . . . . . . $19
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Bassoon and Cello
Mozart: Sonata in Bb for Bassoon and Violoncello, K. 292. . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24
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This new edition takes the score parts and moves them to individual parts, making performances much
easier (there is no movement longer than 3 pages). Interpretive performance markings by Richard Ramey
are added to the score and parts making this a valuable addition to your library.
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Woodwind Trio
Rainbow Connection (for flute, clarinet, and bassoon). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19
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Woodwind and Strings
Beethoven: Serenade, Op. 25 (flute, violin, and bassoon). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $23
a wonderful early work by Beethoven; originally for flute, violin, and viola,
this transcription takes the viola part and changes it ever so slightly
to make it more bassoon-friendly; at 23 minutes, this work would be a great main piece on any recital
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Books
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The Essential German-English Music Dictionary, by Richard Ramey. . . . . . . . . . . . . . . . . . . . . . . $34
over 4000 terms and phrases that appear in German orchestral
and chamber music scores of the 19th, 20th, and 21st centuries
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Fundamentals of Music Theory (revised edition), by Maxine Ramey. . . . . . . . . . . . . . . . . . . . . . . $44
An easy-to-understand training manual progressing from the basics of notation through triads and
seventh chords; there are 9 chapters, each containing an abundance of worksheets to test you on
concepts presented. Answers to the 36 worksheets are provided. If you are new to music theory,
if you need to review concepts of music theory then this extensive manual is for you.



COMING IN 2023
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The ULTIMATE Scale and Arpeggio Book for Bassoon (in 3 volumes)

fine reeds for the discriminating player
since 1985



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BASSOON BONANZA!
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The 2022 Bassoon Bonanza! is a five-day workshop for bassoonists of junior high and high school level in addition to interested adult players. It will be held June 6 - 10 at the Oklahoma Jazz Hall of Fame in the heart of vibrant downtown Tulsa, Oklahoma. Resident artists will be Richard Ramey and Susie Brown, the bassoon section of the Tulsa Symphony, Tulsa Ballet, and Tulsa Opera.
The Bassoon Bonanza! will offer participants an opportunity
to build and improve on their technique as bassoonists while developing a new sense of musical interpretation in etudes and solos.
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An exciting part of the 2022 Bassoon Bonanza! will be the chance to perform in a massed bassoon ensemble known as the Barking Basset Bassoon Ensemble. Participants will come together daily for rehearsals and a final concert on Friday will present the various selections worked on during the week. Ensemble music will be sent out one week prior to the start of the workshop.
What You Can Expect
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Masterclass subjects will include coaching of All-Region/All-State audition material, “Winning Auditions: Strategies for a great performance,” and daily reedmaking sessions (including easy steps to adjusting commercial reeds). Other class topics change from year to year and will be chosen from the following:
• Fundamentals of “bassooning”
• Flicking
• "The Importance of Scales and Arpeggios in Developing Your Technique"
• Developing vibrato
• Organizing your daily and weekly practice sessions
• Using a tuning CD to build solid intonation
• Developing your own skills through the performance of chamber music
• Learning tenor clef
• Opportunities for the musician in the 2020s
• Buying your own bassoon; what to choose, what to avoid
• A demonstration of the contrabassoon (participants will have a chance to play the instrument)
• "An Aural Potpourri of Music for Bassoon"
• Beginning improvisation and looping for bassoonists with a demonstration of various effects pedals
useful when performing
• Bassoon maintenance for the student
• Making a bassoon--the Fox bassoon factory
announcing
the Fourth Annual
Bassoon Bonanza! Concerto Competition
The winner will perform the third movement to Mozart’s Concerto for Bassoon at our final gala concert
on Friday, June 10 with the Barking Basset Bassoon Band as their accompanist!
all Bassoon Bonanza! participants are encouraged compete
We will hold an audition for this solo spot on the first day of our workshop (June 6). The winner will be able to rehearse during the week with the bassoon big band leading up to the performance on Friday, June 10!
please visit bassoonbonanza.com for more information
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In order to get the most out of this workshop, participants should come prepared to play an etude from a standard bassoon method book or their All-Region/All-State audition material. A movement from a recent solo that you have performed or are going to perform would also be acceptable. If you are a beginning bassoonist and have not worked on etudes, we can concentrate on learning initial scales at a slow tempo. Participants will receive a variety of handouts to take home and use for the coming year.
Our intent is to make the 2022 Bassoon Bonanza! very relaxed and non-competitive. Participants will have a chance to meet and perform with other bassoonists from the region and beyond. Bassoonists will come together as a family in a fun and positive atmosphere while gaining valuable knowledge and skill as musicians.
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The Oklahoma Jazz Hall of Fame is located on First Street between Cincinnati and South Boston Avenue in downtown Tulsa
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for more information, please visit our website
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ORDER/CONTACT US
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